Saturday, October 12, 2013

Close My Eyes



Open Your Eyes To a Fiery and Passionate Film
One can view the brilliant and overlooked "Close My Eyes" on a number of levels. One could look at it as the story of an incestuous affair, the pain and despair of unquenched passion, the shattering of taboos, or the story of an unfulfilled woman searching for something about which to be passionate. Each level enriches and deepens the message of the other and creates a thought-provoking film of fiery intensity.

The film is a study in contrasts and opposing forces: Alan Rickman's controlled, restrained performance is in total contrast to the fiery passion of the two lovers and the film's direct confrontation with taboos (incest, AIDS, open passion itself)slams against polite society's prevailing opinions. The film dares us to face what is difficult and deal with it in an open and honest way no matter what the consequences, no matter what anyone thinks.

The film's solemn conclusion makes clear, however, that this shattering of taboos (what we are not supposed to openly...

A Disturbing Fin-de-siecle Romance
A deeply disturbing film about an obsessive, destructive affair between a brother & sister at the end of the twentieth century. Saskia Reeves gives a powerful, deeply moving performance as the sister who is unable to resist the desire she feels for her brother. Rickman is, as always, brilliant. The film is especially interesting for its use of colour--lurid & grotesque one moment; lyrical & pastoral the next. The final shot of the film is quietly apocalyptic & elevates the story beyond the specificities of the affair. An important, often-overlooked film from fin-de-siecle Britain.

Sibling Lust Against the London Architectural Revival Dust
Close My Eyes is a mild and genteel examination of sibling incest amid the London yuppie set and against the backdrop of riverside redevelopment along the Thames. Natalie Gillespie (Saskia Reeves) is an unhappy woman of working class roots. We know this from a quick moving opening sequence of brief scenes that covers five years of her dissatisfied love relationships whining to her ambitious sexy brother, Richard, who she is distanced in age and personality. Richard Gillespie (Clive Owens), is a studly young architect, outgoing unlike his sullen sister, and able to successfully pursue his intellectual and creative pursuits. After a shared late night kiss, reality was quickly passed over as simply cuddling until Natalie rekindles her relationship with the long absent brother dearest.

Again bored, and with a new husband, Sinclair Bryant (Alan Rickman), a financial wiz who is pompous, condescending of his wife, and wealthy from family money, Natalie and Richard cross the line...

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