Stylish, cool and all-out entertaining! Seijun Suzuki's classic gangster film "Tokyo Drifter" was a film ahead of its time!
In Japan, what kind of film would ever feature a stoic, cool tough former gangster that can whistle or sing a song while guns are pointed at him?
The answer is "Tokyo Drifter", the 1966 film directed by Seijun Suzuki who has earned a worldwide following of cinema fans due to his experimental visual style, humor and nihilistic coolness that his style of films were ahead of its time.
While we are graced with films with visual style, humor and coolness by Beat Takeshi, Takashi Miike, Kazuaki Kiriya to name a few... Seijun Suzuki was part of the Nikkatsu company that churned two movies a week and had to work with a low budget, be creative and churn out a film within 25 days. Needless to say, executives didn't understand Suzuki's style, they criticized him, they talked down to him but what they didn't know was that his style was not being rebellious, it was his style.
You can call his style "surreal" but what Nikkatsu wanted was traditional-style...
"Damn him and his singing...."
While not as insane a Branded To Kill (Suzuki's masterful yakuza crazy-noir), this one is just enough off-center to be considered not quite normal. The colors are bright and fantastically tantalizing (at least on blu-ray), and the mono sound is ample- love that recurring theme song (sung by the lead character) and the general goofiness which makes this film a masterful must-have for those of you who like their films to make them think (about what I have no idea). Criterion does their usual fantastic job making this one worth an upgrade over their earlier weak effort on dvd. A couple of interviews for extra features round off this necessary addition to any great film library....even if you turn the sound off, the visuals are enough to keep one's interest....this is a very well done film with masterful editing and strange colors that sometimes make it look like an early James Bond film or a Batman episode....great stuff here....
Seijun Suzuki - a master - this film - kind of odd
Seijun Suzuki crafted one of my favorite Japanese New Wave films in 'Take Aim at the Police Van' (1960 - available in the collection: Eclipse Series 17: Nikkatsu Noir (The Criterion Collection)). With this film, released in 1966, Suzuki enters new territory and creates a visual feast for the eyes in color. Though 'Branded to Kill' is considered his magnum opus, Tokyo Drifter is regarded as one of his best films. It has been compared to Godard's 'Pierrot le Fou', but I think the comparison shows what Suzuki's film is lacking compared to the nearly flawless New Wave romp that was Godard's film. And compared to some other amazing Japanese New Wave, I feel this film is great but perhaps a little too flamboyant at times.
A quick summary: this film is about ex-Yakuza Tetsuya (called Phoenix) and his attempts to 'go straight'. His boss is caught up in an extortion attempt by a former rival Yakuza gang,...
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